2011年8月11日 星期四

White Receives Invite To Marine Corps Ball

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Actress Betty White is the latest celebrity to receive an invitation to a Marine Corps Ball.

Hollywood stars Mila Kunis and Justin Timberlake were asked to attend two separate military galas via videos posted by personnel on YouTube.com earlier this month, and now the Hot in Cleveland actress has won the affections of her very own U.S. soldier - Sgt. Ray Lewis.

Lewis, a veteran and aspiring hip-hop artist, recently filmed his own web message for White, asking the 89 year old star to be his date.

Dressed in his uniform, holding a red rose, he says, "I'd like to take Betty White (to the Marine Corps Ball). She's funny, she's sweet, she's mature. She's the all-around perfect woman. I really think that we'd have a good time. I'm fun. I think I can make her laugh. I think she can make me laugh. I think we can laugh together."

It is not yet known whether White will accept the invitation but Timberlake and Kunis are so far scheduled to attend their respective parties.

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Mila Kunis
Betty White (I)

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2011年8月10日 星期三

Rathbone To Hit The Road With His Band

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Twilight actor Jackson Rathbone is set to embark on a world-wide tour with his independent funk band 100 Monkeys.

The star shot to fame as vampire Jasper in the hit movie franchise, but Rathbone is turning his attention towards his passion for music as he prepares to head off with the Los Angeles-based group for its very first international tour later this year.

He tells MTV News, "The thing we do with 100 Monkeys is we play with our audience. It's just a fun time. They came out to see us and we came there to see them. That's what makes us a great live band. We love playing."

And although Rathbone admits touring with his four best friends makes for a fun time, it's not the most glamorous: "We are on a red, smelly bus. It wasn't as smelly before we got on, but it definitely had some residue. It's actually from the 1992 Metallica tour; it's got a little Metallica vibe to it."

Rathbone and his bandmates will perform a number of shows throughout the U.S. this summer before heading overseas to kickstart their European leg on 28 November in Stockholm, Sweden.

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Jolie's Kids Love Eating Bugs

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Actress Angelina Jolie was forced to ban bugs from her kitchen after her young kids fell in love with the delicacy during a trip to Cambodia.

The Changeling actress and her longtime boyfriend Brad Pitt often take their brood of six with them on their global travels and Jolie admits her sons have gotten so hooked on eating cooked crickets, which are commonly served in the Asian country, they crave them as if they were potato chips.

While shooting a video for Louis Vuitton's Core Values campaign, she says, "My boys love to eat crickets. It's their favourite thing... When I first gave it to them... I wanted them to not be turned-off by something that wasn't (part of) their culture. So I bought them... and they ate them like Doritos (chips).

"And they wouldn't stop and they brought to-go boxes home. And then I had to actually ban the cricket-eating at a certain point because I was afraid they were going to get sick from eating too many... But they're good!"

Jolie's eldest son, Maddox, was born in Cambodia.

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This feature requires JavaScript. Please enable JavaScript in your browser, or use a browser that supports it. Show moreNo new comments Angelina Jolie Victoria and Kate Welcome Babies, Gwyneth Sports a Bikini, Kate and Will Take California, and More in This Week in Pictures! (From Popsugar. 16 July 2011, 9:07 AM, PDT) Morning Meme: Sookie Stackhouse Faces Her End, Brian Wilson's Beard Has a Beard, and Alcide Strips Down (From AfterElton.com. 15 July 2011, 5:57 AM, PDT) Brad Pitt: A-List Actor Turned Pro Athlete? (From E! Online - UK. 14 July 2011, 4:00 PM, PDT)
Brad Pitt
"My Boys" (2006)

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2011年8月9日 星期二

Chilean Star Prieto Dies

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Chilean actor/singer Antonio Prieto has died at the age of 85.

The performer passed away after suffering heart failure on Thursday at a clinic in Santiago, Chile.

Prieto recorded over 1,000 songs during his 50-year career and was nicknamed the Romantic of the Romantics because his voice was said to make people fall in love.

He also starred in more than 33 films, including A Fistful of Dollars with Clint Eastwood and the 1963 release of The Sword of Zorro.

Prieto is survived by four children and 13 grandchildren.

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A Fistful of Dollars (1964)
Antonio Prieto (I)

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Patrick Kennedy Weds Fiancee

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Former Congressman Patrick Kennedy wed his fiancee at the family compound in Massachusetts on Friday.

Patrick, the son of late U.S. senator Ted Kennedy, married schoolteacher Amy Petitgout in Hyannis Port.

He tells People.com, "This is a day that's a beautiful day, not only in weather but just for my family. And I'm the luckiest guy. She's the best I could have ever imagined, and I'm lucky to be able to share this day with her."

The couple announced its engagement in March.

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Patrick Kennedy (I)

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2011年8月8日 星期一

Fonda Blames TV Bosses For Axing Slot Over Politics

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Jane Fonda has accused bosses at TV network QVC of cancelling her appearance after viewers threatened to boycott the show.

The Oscar winner was due to promote her upcoming book Prime Time on the home shopping channel on Saturday but the segment was called off at the last minute.

In a post on her website, Fonda claims QVC executives were inundated with calls about her anti-war activism in the 1960s and 1970s, prompting them to axe her programme.

She writes, "The network said they got a lot of calls yesterday criticizing (sic) me for my opposition to the Vietnam War and threatening to boycott the show if I was allowed to appear.

"I am, to say the least, deeply disappointed that QVC caved to this kind of insane pressure by some well funded and organized political extremist groups. And that they did it without talking to me first."

The Barbarella star goes on to defend her Vietnam War stance and declare her love for the U.S.

She adds, "I have never done anything to hurt my country or the men and women who have fought and continue to fight for us. I do not understand what the far right stands to gain by continuing with these myths."

A spokesperson for QVC insists Fonda was cancelled due to a "programming change", adding: "It's not unusual to have a schedule change with our shows and guests with little or no notice."

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This feature requires JavaScript. Please enable JavaScript in your browser, or use a browser that supports it. Show moreNo new comments Jane Fonda QVC Responds to Fonda Cancellation, Ignores Issue (From TMZ. 17 July 2011, 9:49 AM, PDT) 'Hanoi Jane' memory still haunts Jane Fonda, QVC appearance falls through (From Monsters and Critics. 17 July 2011, 9:29 AM, PDT) Weekend Meme: "Harry Potter" Robs Gringotts Bank, Ben Daniels Disagrees with Rupert Everett, and Eva Longoria is "Without Men" (From AfterElton.com. 17 July 2011, 3:50 AM, PDT)
Barbarella (1968)

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Hudgens Gets Dirty For Pregnant Tomboy Role

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High School Musical star Vanessa Hudgens has ditched her glamorous look for her new movie Gimme Shelter to play a dishevelled, pregnant tomboy with piercings.

Zac Efron's ex-girlfriend, 22, shocked onlookers in Newark, New Jersey on Thursday when she showed up onset dressed in baggy clothes with short, greasy hair - worlds apart from her usual red carpet look.

Hudgens portrays a pregnant teen whose rich father disowns her, forcing her to live on the streets, when she decides to keep her baby.

Brendan Frasier will play the actress' dad. Rosario Dawson also stars.

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Vanessa Hudgens
High School Musical (2006) (TV)

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2011年8月7日 星期日

Ivanka Trump Is A Mum

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Donald Trump's daughter Ivanka has become a first-time mum.

The socialite and her husband, Jared Kushner, welcomed a baby girl in New York City on Sunday.

The Celebrity Apprentice star, who previously announced her pregnancy via Twitter.com, also took to the social networking site to announce the joyful news.

She wrote, "This morning (Jared) and I welcomed a beautiful and healthy little baby girl into the world. We feel incredibly grateful and blessed. Thank you all for your support and well wishes!"

The couple wed in 2009.

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"The Apprentice" (2004)

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Duchovny Backs Spay And Neuter Program

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Actor David Duchovny has thrown his support behind a new spray and neuter program to help put an end to animal suffering.

The X-Files star shot an advert for the company 600Million.org, which aims to find a safe population-control solution so millions of dogs aren't abandoned or put down at birth.

In the video, the actor invites fans to follow his lead and help donate to the cause.

He says, "Please join me and 600Million.org in a unique project to help the number one cause of suffering for dogs -control the population. It's estimated that around the world there are over 600 million stray dogs, living in horrible conditions...

"Right now a team of scientists is working on a pill to sterilise dogs, which would drastically reduce the population - safely, humanely and cost-effectively - without surgery and without killing."

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"The X Files" (1993)

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Novi Home Theater Systems - For Ultimate Movie Experience

If you want to recreate the movie experience in your home, there can be nothing better than Novi home theater systems. These systems will save you the trouble of going to a movie hall, buying tickets for you and your family as well as trying to look over the person in front of you if he is tall. On top of that, trying to concentrate on the movie in the midst of incessant chatting of other people around you and getting a nauseating feeling if your seat is too near the screen are other things to deal with.

Advantage of Home Theater System

On the other hand, with Novi home theater systems, you can enjoy the Movie of your choice in the company of your family, relatives and friends or even alone in the comfort of your home without having to go out anywhere. Moreover, there will be no need to see the whole movie in one go. You need not buy any tickets every time you wish to see a movie and the initial outlay for buying the home theater system can be recovered in a short time.

What Is Involved In A Home Theater System?

In order to get complete enjoyment from Novi home theater systems, you would need to dedicate a whole room or a substantial portion of a room to get the complete entertainment setting as if you were sitting in a movie hall. The basic requirement would be a really large TV with a flat screen that will give you the feeling that you are sitting in a movie theater. Apart from the TV, you would also need a good surround sound system, high quality speakers, a computer, stereo system, Blu-ray player and discs or a DVD. The sound system is an essential part of any home theater system because it helps to create the movie theater atmosphere in your home.

To buy the Novi home theater systems, you need to visit a reliable website and choose the TV that is available from 20 to 150 inches, the surround sound system, a universal remote and Blu-ray player. They are available for both residential use and for commercial applications.

You can also have the option of purchasing each component of the system separately or of buying a package, which is also known as HTIB or home theater in a box. There is no doubt that if you buy separately, you would have to assemble the whole system but you would have the advantage of being able to upgrade your system whenever you like. If you buy HTIB system you would receive the entire system properly hooked up including the source, speakers, amplification and even a Blu-ray player or DVD.

Before you visit a website offering Novi home theater systems, it is essential to make up your mind regarding what you actually need. You must decide whether you need a Blu-ray player or just a DVD player, the number of speakers in the speaker system, and the type of surround sound processing that the system will have to support. The most commonly used system is Dolby Digital 5.1 or Dolby Digital EX.

Although a smaller TV can serve the purpose, you will not get the complete effect of a movie if you do not use a large flat screen TV in your Novi home theater system. Along with a big TV, it is also essential to have surround sound so that you can have a complete movie experience.

In order to get complete movie theater experience in your home where you can see and enjoy a movie along with your family, you need Novi home theater systems. You can select the different components or get them to design a suitable system as per your needs.

2011年8月6日 星期六

Buried - A One Man Show

I'm always more interested in suspense films or horror films that tap into universal fears and the things that could actually happen to us, rather than the supernatural. For instance, films like John Carpenter's The Thing (1982) or Brian De Palma's Carrie (1976), while excellent films in their own right, are more escapist nightmares than things right outside your door. It's films like Buried, however, that recharge my faith in modern horror/thriller cinema. Director Rodrigo Cortes takes one of our most common fears and puts it to extraordinarily effective use. There's a political message, a bit of a love story, family stories, a thriller, and a horror movie, all stuffed into a box. And just a box. For 90 minutes.

I read an early review that stated how proud of the film Alfred Hitchcock would be. I think that's a bit like Julie assuming that Julia would love her blog in Nora Ephron's Julie & Julia (2009). Cortes invokes a similar passion as Hitchcock might have had for his films, but the result is almost incomparable. The majority of Hitchcock's films, especially post-silent era, were made with a regal air; they feel classic, from frame one, as they should. Buried, on the other hand, knows it's underground (literally!) and a sort of neo-noir/neo-grindhouse picture. This isn't a knock on it at all, I thoroughly enjoyed it, much like I'm sure Julie was a great cook, but just because you've read Mastering the Art of French Cooking, or just because you studied Lifeboat (1944), that doesn't mean you're toe to toe with the master. You're good, especially in your time, but the comparison is almost unfair.

Paul (Ryan Reynolds) is an American truck driver, working with the military in Iraq. It's important to note that he is not a member of the military, as he tells us and his captors multiple times. We don't see the attack; our back story is given to us in frightened monologues. He awakes in the middle of the night, or it could be day, in the middle of the desert, or it could be a basement, in a coffin. The only reason he knows he's in a coffin is because he has little to no room to move, and because he's told so by the Iraqis on the other end of the phone.

Again, I really enjoyed Buried. I think it's a breath of fresh air considering what we're offered as horror/thriller/what-have-you films these days: remake after remake, sequel after sequel, or the newest line of torture porn. Here's a film that knows what it wants - there isn't an opportunity for a sequel, it's a story that has been done before and will be done again, so it can't really be strictly remade (unless Gus Van Sant wants to try), and it is torture porn, but it's the "softcore," believable kind. No traps or disembowelment, just a director forcing his audience to reckon with a terrible event, and be there with his character. The result on the man is torturous.

Much of the film's success is owed to Ryan Reynolds, who puts on a one man show with more gusto than he's shown on film before. It's eye opening, for those who want to see the actor in a new light. Obviously, he's no stranger to more dramatic fare, but he's never had the weight of a film rest completely on his shoulders before. If he doesn't work, the film breaks. It's a brave performance that takes a lot of mental preparation, his career best, so far. His performance is touching, riveting, paced, and natural to boot; alarmingly intelligent work, and proof that he has a long future ahead of him. As a man locked in a coffin with only a lighter and a cell phone at his immediate disposal, he creates a fully fleshed character with little to no elbow room to play around. He isn't given the opportunity to chew his scenery or act off of others. The film is peppered with small voice-overs that come from the other end of his cell phone, and the rest is up to the editing and Reynolds, mostly Reynolds. And he succeeds.

Hitchcock might be proud, there's no telling, but mostly he might just be thankful that a well made, accessible thriller came out recently. I know I am.

Contact the Author: ScottMartin@moviesididntget.com

Scott invites you to visit 'Movies I Didn't Get' for latest news in indie film. For more information, reviews and comments check out the fastest growing indie film blog: http://www.moviesididntget.com/

Movie Review | 'Salvation Boulevard': An Evangelist, an Atheist and a Murder That Tests Faith

A scene from "Salvation Boulevard," with Pierce Brosnan.

The American culture war, that combustible, stupefying cocktail of religion, sex, politics and everything else that gets people hot and bothered, represents a rich vein of satiric and dramatic potential. George Ratliff’s “Salvation Boulevard,” adapted from a novel by Larry Beinhart (“Wag the Dog”), suggests that it may sometimes be too rich. The movie, set in and around a Sun Belt megachurch with a charismatic pastor, is a console full of jammed and disconnected hot buttons.

The exceptional cast does what it can to keep things jumping and grounded, as the tone wobbles from intrigue to farce and back. Pierce Brosnan, as Pastor Dan, who is trying to leverage his spiritual juice into lucrative real estate, has a hearty, sly allure that steers almost entirely clear of caricature. And the best thing about “Salvation Boulevard” is its avoidance of condescending stereotypes. Mr. Ratliff, whose earlier films include the documentary “Hell House,” is happy to let his fish swim free of their barrel.

Pastor Dan’s stooge and foil is Carl (Greg Kinnear), a former Deadhead who seems to have stumbled into faith and a marriage to Gwen (Jennifer Connelly), a high-strung believer with a skeptical teenage daughter and a dogmatic dad. The accidental shooting of an outspoken atheist professor (Ed Harris) puts Carl at odds with his church and his family, and in mortal danger from an especially literal-minded member of the congregation (Jim Gaffigan).

It all lurches around in a good-natured way, allowing you to savor Mr. Kinnear’s deadpan, Ms. Connelly’s anti-deadpan and Marisa Tomei’s delightful randomness. (She plays a security guard who reminds Carl of his earlier worship in the church of Jerry Garcia.) As the plot swerves toward an almost crazy conclusion, there is the inkling of a strong, interesting idea here, about how some versions of modern religion are predicated on the systematic denial of reality, but “Salvation Boulevard” is itself too loosely tethered to the actual world to make the point with the necessary vigor or acuity.

An earlier headline with this review referred incorrectly to the shooting on an outspoken atheist professor in the film. It was an accident, not a murder.

2011年8月5日 星期五

Will Sarah Find Herself?

If you haven't seen the TV production of Finding Sarah, you may just want to check it out on OWN. Sarah, better known as the Duchess of York, better known as Fergie, bares her soul and confesses that if she won't be able to find herself, she thinks she will die.

Once upon a time she married a prince, and became a princess. She lived in a palace and had two beautiful children, and she enjoyed all the pomp and circumstance that goes with being a royal. Then things went down-hill. She gained weight, she was accused of being a bad mom, she was photographed topless, kissing the toe of her financial advisor, she divorced her prince, lost all her money, and she now lives with a truck -load of guilt, regret, and deep, deep sadness. She claims she "had it all, but threw it all away."

This idea that we "want to find or discover our true self" is a common refrain. It feels as if we've lost something vital, and without it nothing works. Like a vehicle without an engine or a computer without an operating system, we need that "thing" that will navigate us joyfully through life. Without that "thing" we feel miserable. We feel the separation, the divergence.

That thing that is missing is ALIGNMENT. And without alignment NOTHING WORKS.

So, what exactly is alignment? And how does Sarah get it? How did she lose it in the first place? And why is she having such hard time finding it?

True alignment is self love and knowing without a doubt that you are worthy and loveable. Sarah has neither. Instead, she has a pile of evidence to prove it-a mother who abandoned her, an emotionally bankrupt father, and an archive of newspaper headings that continue to publically humiliate and criticize her persona.

In short, she's been persuaded and convinced by others throughout her life that she is unworthy and not good enough. And the sad part is that Sarah continues to believe this story. In fact, she probably believes that she is cursed, tainted, and just plain unlucky.

Sorry Sarah! But there's nothing sinister about how your life has unfolded. The law of attraction has been doing what it's supposed to do, and that is, to match you up with the energy you are feeling.

If Sarah constantly feels insecure and unworthy, then she will continue to attract insecurity and unworthiness. There's nothing esoteric going on here-it's just law.

So, how does Sarah break this unwanted momentum? How does she begin to feel loved, to feel worthy, to feel aligned?

1. Sarah has to let go of all the "stories" in her life that feel bad. She has to stop telling those stories, stop remembering them, stop breathing life into them. Because whenever she thinks about them, she activates them in her mind.

2. Sarah has to find new thoughts that feel good and true to her. And there are many right under her nose: She has her beautiful daughters to think about. There is the kindness and love from Prince Andrew. She can focus on the opportunity she has been given to work with Oprah, Dr. Phil, Suze Orman, and of course, my mentor, Dr. Martha Beck.

There's a lot here to feel good about. But it will require Sara to FOCUS.

If I could speak to Sarah personally...

There is no doubt that you've had tough challenges in life. It wasn't right or acceptable that your mother left you and moved to Argentina with another man. It wasn't right that your father encouraged you to bury your emotions; it wasn't right the press are critical and mean whenever you look less than perfect.

But here's what is right and wonderful...

Each painful episode has been the impetus for YOU wanting to find yourself. Each painful episode has been harassing YOU into your personal expansion. You think you have lost everything. But dear Sarah, you are about to find everything. Stay on course.

Linda Ford is a life coach and law of attraction expert. She works with women who want to make a difference in the world through their work, relationships and goals. Her focus is on personal empowerment and alignment.

Linda has been personally trained by best selling author, Dr. Martha Beck. Her website is: http://www.attractalife.com/

Despicable Me

Stars: Steve Carell, Russell Brand, Jason Segel, Mirando Cosgrove
Director: Pierre Coffin, Chris Renaud
Release Date: December 14, 2010
MPAA Rating: PG

What would one need in order to become the most famous criminal in the entire world? A team of henchmen? Yes. An evil plot? Yes. An evil scientist sidekick? Yeah, it probably couldn't hurt. How about three adorable little orphan girls who practice ballet and love stories about kittens? It is not very likely, but, it is very necessary for the film, Despicable Me.

Despicable Me is about a villain named Gru (Steve Carell) whose villainy comes into question when a new villain, Vector (Jason Segal), steals a pyramid. His plan is to regain his felonious title by shrinking and then stealing the moon. Aided in his quest is an elderly scientist, Dr. Nefario (Russell Brand), a lot of little yellow minions that look like Twinkies and three little orphan girls.

In order for his plan to go into action, he must first get a loan from the Bank Of Evil. The bank manager, Mr. Perkins (Will Arnett) is not impressed with Gru's previous attempts of evil and before he will grant the money, Gru must acquire a shrink ray. So while stealing the shrink ray from an overseas testing facility, he is foiled by Vector, who snatches the shrink ray from him and then shrinks Gru's air ship.

Gru must get this device back but finds it impossible to get into Vector's compound, until he notices that three little orphan girls selling cookies are allowed in. A devious smile crosses his face. He soon poses as a dentist and goes to Miss Hattie's Home for Girls to request to be the foster father of the three girls. Margo, Edith and Agnes are so excited to be adopted but are little disappointed that Gru is going to be their new elected father. His home is not quite ready for kids either. There is a ferocious dog, Kyle that even Gru seems to be frightened of, deadly weapons on the wall and dangerous furniture.

While the girls try to figure out how they are going to manage in their new home, Dr Nefario has created robots disguised as cookies. The plan is to have the girls infiltrate Vector's compound with the robot cookies that will steal back the shrink ray. The girls however have no intention of delivering cookies until they first go to their ballet class. Gru submits to their wishes and Agnes gives him a ticket to their recital of Swan Lake. She makes him pinky promise that he will go. After the class, the girls are then willing to deliver the cookies but unaware that they are robots cookies. The robot cookies are successful in retrieving the shrink ray and Gru is in a terrific mood.

On the way home, they stop at an amusement park. Agnes spots a space ship shooting game that could win her a giant fluffy unicorn. Agnes loves unicorns! She tries the first time and is unsuccessful and says that she must have had her eyes closed. She tries a second time and this time wins. The carnival worker, (Jack McBrayer) disagrees. So Gru decides to have a turn, he pulls out a blaster and "knocks over" the space ship. Agnes is so happy; she shakes her new unicorn and growls, "It's so fluffy!"

Dr. Nefario reminds Gru that they must get back to work and needs to contact the bank manager immediately about the loan. Mr. Perkins, who also happens to be Vector's father, still denies Gru's request for funding due to previous lack of success. With no money to build a spaceship, he begins to break the news to the minions that they will not be able to steal the moon. Agnes approaches her new father and offers her piggy bank to help fund his mission. All the minions start pulling out cash to donate and the project is back on.

Dr. Nefario feels that Gru is becoming too attached to the girls and is not focusing enough on the plan. He calls Miss Hattie (Kristen Wiig) to let her know that Gru wants to return them. He seems reluctant to send them away but his scheme must prevail. So he takes off in his spaceship and Dr. Nefario stays behind in the lab and is doing some calculations. Suddenly the air ship that Vector used the shrink ray on returns to its original size!

Will Gru be successful in stealing the moon? Will the moon return from its shrunken size just like the air ship? Will Gru make the dance recital that he pinky promised he would make, that just so happens to be the same day as the moon snatching? Will he want to get the girls back? Has Vector given up trying to out-do Gru's attempt to be the most famous villain? You'll have to watch to find out.

Universal Cartoon Studios haven't had a lot of success with their box office animated films. However, I think they hit gold with the film Despicable Me. I don't think that after watching a film I was ever so eager to want to go out and buy a plush unicorn. I held off, but apparently I shouldn't have because they are now impossible to find. A great cast of actors lent their voices to Despicable Me and it is a worthwhile film to own. Even the shorts that are on the Blu-ray are cute.

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2011年8月4日 星期四

THE LAST EXORCISM

THE LAST EXORCISM
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*CUT TO THE CHASE*

NOTE: This spoiler was submitted by Marty.

The movie opens with a documentary crew following around a preacher based in Baton Rouge, La., by the name of Reverend Cotton Marcus (Patrick Fabian). We meet his wife, Shanna (Shanna Forrestall) and his 10-year-old son Justin (Justin Shafer). The entire movie is shot as if we’re watching the rough footage of a documentary film crew (kind of like The Blair Witch Project).

Throughout the filming, we sometimes hear or see Iris (Iris Bahr), the documentary director/producer/sound person. We also mostly just hear the cameraman, Daniel (Adam Grimes). Every so often they will ask questions of their subjects, or suggest camera shots or people to interview.

We learn that Cotton’s father, John (John Wright, Jr.), is also a preacher, and John started Cotton early by having him learn the Bible and how to preach when he was very young. Cotton had quite the preaching gift, and becomes an amazing evangelical preacher. We also see footage of Cotton in action as a very charismatic preacher in front of his father’s church congregation.

We also learn that Justin was born premature and Cotton and Shanna had no idea if he was going to survive. He survives, but was born partially deaf. This derailed Cotton’s faith to the point where he was thanking the doctors for his son’s miraculous life, rather than God. Cotton expresses this falling away from his Christian roots directly to the camera. BUT, since he has a family to raise, he continues being a preacher to bring in money.

Cotton and his father discuss a book John keeps in the church safe about various demons that can possess people, especially the innocent children. But aside to the camera, Cotton explains that he doesn’t really believe in demons anymore, especially since his faith had faltered so much. One of the things Cotton does on the side to earn extra money is exorcisms, but we learn later of little trickery he uses to pull off the illusion of demons being cast out of people.

The action then begins to kick in little more when Cotton says he is going to open a letter he received in the mail. He knows it’s an exorcism request and the film crew will get to follow him from start to finish and see the complete process. The letter is from a guy a few towns away in Louisiana who says his daughter is possessed. Cotton points out that the letter contains signs of an atypical exorcism request letter: young girl possessed, slaughtered farm animals, bad crops etc.

On the way to the home, which is way back in the middle of the sticks, they get a little lost and ask a young man in a truck where the Sweetzer house. The young man, who appears to me no more than 18, warns them to turn around, get back on the highway, and leave. Cotton, who is driving, refuses, and starts to drive farther down the dirt road. The young man starts throwing rocks and dirt at them as they drive away.

They do finally find the Sweetzer house, and meet Louis (Louis Herthum), the father. Then the same aggressive young man pulls up in his truck. We learn the rock-throwing boy is Caleb Sweetzer (Caleb Landry Jones), Louis’ son. With Louis there, Caleb is a little more welcoming to the film crew, but barely. With Louis’ blessing, they get permission to have the film crew there.

We then met Nell Sweetzer (Ashley Bell), Louis’ supposedly possessed daughter. She is a sweet teenager or about 16 years of age. They all admire her nice family, picturesque drawings. She then tells Reverend Marcus how she apparently will get up in the middle of the night and slaughter their animals, but not remember any of it.

Reverend Marcus decides to do a “test” to see if she is possessed. He asks for a pan of water to place Nell’s feet in. In all of the moving around of the crew and the Sweetzers, we suddenly hear gasps and see the water start boiling, and Daniel catches it on film. Everyone is shocked. The reverend agrees to perform the exorcism on Nell. As people are milling about, Caleb approaches the reverend and tells him “Nice trick,” meaning he saw the reverend put something into the pan of water to make it churn like it did. Caleb mentions that the reverend’s secret is safe with him. He won’t tell anyone about the trickery. The reverend seems shocked, and yet cautious at Caleb catching him.

The father tells the reverend that once his wife died, he lost a little faith, and left the Christian church they attended in town. (At one point, it also slips out that Louis has been hitting the bottle a lot since the death of the mom.) Louis continues to explain how, to protect the kids further, he had them home-schooled. He even pulled Nell out of Sunday school at the church, because he just felt like something was odd about having her attend there (important!). Still, his deceased wife was a strong, faithful Christian, so he felt it was right to still raise the two children in a Christian home.

The reverend then pulls out that old demon book his pastor dad was showing to him earlier. He tells Louis that his daughter is being possessed by Abalam (he randomly picks a demon). Louis can’t read Latin and so asks Reverend Marcus to tell him what it says. Marcus says that Abalam has defiled Nell, and that the only way to release the innocent child is through death. Louis is shocked. Realizing what he just said (which was probably made up as well), Reverend Marcus adds, unless the demon is exorcized.

Next, the reverend is seen preparing Nell’s bedroom for the exorcism.? It’s just him and Daniel who is filming the entire In this case, he’s setting up the tricks to complete the illusion. We see him place thin wire and attach it to a painting so he can make it move at will. He plants small speakers in the room with an MP3 player that plays random moaning and other noises. He sets up the four-post bed to shake. As well as other things.

He then lets the family in to the room. Nell lays on the bed. Her father and brother are in the room also to watch.

Reverend Marcus then puts on a nice show for the group as he is exorcising the demon. He even gently shocks Nell with two thumb rings whenever he places his hands on her head and commands the demon out. Nell, of course, is very freaked out throughout all of this. At one point the reverend says he can’t do it, he’s not strong enough (all part of the show), but Louis pleads for his daughter’s life. Reverend Marcus acts as if he reluctantly agrees, and continues. This time he commands the demon to leave the girl and possess him instead. His body then seizes up, and he slumps to the ground, the crucifix he’s wielding now smoldering with smoke (another trick).

Reverend Marcus states that Nell is free and the?demon is gone.

Louis is relieved, and pays the reverend for his work. As they are leaving, the reverend pretends to hear a word from God, and he then tells Louis that he can be released from the prison of alcoholism if he’ll just believe that Jesus is the answer. Louis begins to cry and look to heaven and thank God for watching out for him.

The task completed, the reverend and documentary team travel to the small motel in town. Louis calls his wife and son in Baton Rouge, and then the documentary crew say their Goodnights and leave the reverend’s motel room. The camera is shut off to black.

Next the camera is on again, and Iris and Daniel are racing to Reverend Marcus’ room, which he is standing outside of. Nell is sitting on the edge of his motel room bed in her nightgown. The three start asking questions and wondering what the hell is going on, especially since it’s a 5-mile drive from the Sweetzer home, it’s the middle of the night, and no one knew which motel they were staying in or what rooms.

As Iris tries to comfort the catatonic Nell, she begins to throw up. Reverend Marcus picks her up from his bed and the three race her down to the van. They drive her to the local clinic to seek medical attention. The on-duty nurse demands the camera stay out, but Daniel manages to keep rolling in several covert manners.

Just after sunrise, Louis shows up to the medical clinic, demanding to see his daughter, and wondering why no one called him. Reverend Marcus claims that he tried calling several times, but there was no answer. He also tells Louis that Nell now needs psychiatric treatment from a doctor, but Louis refuses.

As Louis takes Nell home, the reverend and crew stop by the church that the Sweetzers used to attend 2-3 years ago. He first meets Becky (Becky Fly), a kind-hearted, short fat woman in the church, and she then takes them to see Pastor Manley (Tony Bentley). He tells Reverend Marcus that he’ll agree to come out and talk to Louis, but only if Louis agrees.

So, the reverend and film crew drive back to the Sweetzer residence in the middle of the woods. When they arrive, Louis is outside trying to calm down a frantic Nell and drags her inside. When they follow them in, Louis and Nell are heading upstairs, but the three are shocked to see the badly bloodied face of Caleb. Apparently, Nell slashed at his face with a big knife. He can’t speak, so he jots something down on a note quickly. Louis comes back down stairs and asks them to take his son to the hospital. Reverend Marcus refuses and says they will stay with Nell in case the demon arises again. Louis agrees and takes the badly wounded Caleb to the nearest hospital in Baton Rouge. Reverend Marcus shows us what Caleb had written on the note: DON’T LEAVE HER ALONE WITH HIM.

A bunch of weird things happen at once here. They first discover that Louis chained Nell to the bad, but they are able to free her. They notice a picture of a bloody cat that Nell claims she didn’t draw. At other times, when they’re not in her room to give her a chance to rest, they also hear baby cries, and then find Nell trying to drown baby dolls in bathtub water. They also hear Nell speaking with a man in her room, but when they go in, she's alone.

During these oddities, the three overhear as a doctor leaves a message on the answering machine about NOT giving Nell a certain drug they sent her home with when she left the clinic earlier, because the drug could be harmful to the baby as they didn’t know Nell was pregnant.

The reverend and crew are shocked. Iris thinks the father raped her, but the reverend thinks it’s probably just some punk kid in town. In any event, they decide they are going to get some sleep and wait until morning to leave with Nell, since dad and brother are at the hospital for awhile. Daniel shuts the camera off and we have black screen again.

During one of the creepiest parts of the film, the camera turns back on, and a possessed Nell wanders around the house and outside with it. At one point she slaughters a cat. With blood on the lens, she approaches the reverend as he sleeping on the couch, hovering over him getting closer and closer. Just then Iris comes in and yells at her. This wakes everyone up and Nell starts crying, and they calm her down and put her back in her room. They notice a new picture on the wall that was drawn. This one has someone holding a crucifix facing a big fire; someone holding a boom mic, and they’re all cut into pieces; and someone holding a camera, but decapitated. It’s obviously them, and they are a bit shaken up by it. The group prepares to leave with Nell.

Just then, Louis comes back home without Caleb, so we assume he’s still at the hospital. Reverend Marcus tells him about Nell being pregnant. Louis then threatens to kill his daughter when he finds out that she has been defiled by a demon pregnancy. Marcus explains that it was probably just some teen in town, but Louis swears that his daughter is still a virgin.

To keep Louis from shooting his daughter, the reverend agrees to try the exorcism again. They go out into the barn. This time, as he starts the exorcism up again, Nell starts exhibiting weird twitching movements and body contortions. Then, a deeper voiced Nell starts speaking.

“I hear you don’t believe in us,” she says.

The reverend asks who are you.

“I am Abalam,” she responds.

At some point during the back and forth, she asks the reverend, “Would you like a blowing job?”

This clues the reverend into the fact that only a home-schooled girl would call it that, because she hasn’t been exposed to the outside world. He calls Nell out on her bluff and starts yelling at her for being a pregnant 16 year old that needs help. Nell breaks down and starts crying in his arms, collapsed.

The next morning, the reverend explains to Louis that her daughter confessed to her that it was a sweet boy in town named Logan. He works at the market. Logan got her pregnant.

Just as the reverend and the documentary crew are leaving the premises, Pastor Manley and Becky arrive to help out the Sweetzers.

Heading out of town, the three notice the market, so they decide to stop and talk to Logan (Logan Craig Reid). He’s there working that day and decides to sit down with the reverend and talk about Nell. Logan denies ever having sex with Nell. Besides, he’s gay.

This revelation and others cause Reverend Marcus, Iris, and Daniel to hightail it back to the Sweetzer residence. By the time they arrive again, the sun has set. The house is dark as they pull up.

They can’t find anyone inside. When they are back outside, the reverend here’s yelling in the distance. Daniel turns off the camera light, but keeps filming. They approach a clearing with a large bonfire going, as well as people in weird Snuggie-like hoodies.

They spot Nell on a sacrificial type table. Becky, the sweet old fat woman from the church has her hands between Nell’s legs, while Pastor Manley is at the head of the table, doing some cult-like incantations.

The Christian church was a front for a satanic cult. Nell was indeed impregnated by something not of this earth. Louis had felt in his spirit that something wasn’t right about the church (remember he said this earlier about taking Nell out of Sunday school).

Reverend Marcus and the other two spot Louis tied and blind-folded to a pillar or tree. There are a bunch of people wailing and yelling moving around the fire. Nell is screaming in pain, and eventually Becky pulls out a bloody baby-like creature, holds it up in the air, and then proceeds to toss it into the fire. A great whoosh and flame shoots up and forms a very unnatural-like flame that appears to be trying to form into a shape of some sort. Nell is doubled over on the sacrificial table, but you have no idea if she’s dead or alive.

Throughout all of this, both Iris and Daniel are begging the reverend to leave. Grasping his large crucifix, Reverend Marcus rises up. He proceeds to walk toward the bonfire that is shooting up evil-looking flames. The last shot we see of the reverend is of him holding up the cross as he walks toward the demon-like fire.

You then hear someone say something like “Look!” “They have a camera!” “Get them!”

Iris and Daniel take off running. After a bit of scared breathing from them as they know they are running for their lives, the two are caught. We immediately see an axe being raised and lowered on a screaming Iris as she is killed. Daniel then takes off running, and of course all you see are trees and ground, and you hear his heavy breathing.

After what seems like an eternity of running, Daniel stops to try to get his bearings and to see if anyone is following. You then hear a twig snap noise. The camera whirls around. There’s Caleb with a big old bandage on his face. Daniel tries to scream as Caleb swings a large knife across where Daniel’s throat would be. The camera goes black.

*CUT TO THE CHASE*
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The Christian church?that the Sweetzer Family used to attend in town is actually a front for a satanic cult. Nell (Ashley Bell) was indeed impregnated by something not of this earth. Her father (Louis Herthum) had felt in his spirit that something wasn’t right about the church, and he had even pulled Nell out of Sunday school years earlier.

It is assumed that Nell dies from the forced birth of the demonic baby. It is also assumed?that Reverend Marcus (Patrick Fabian) dies. We last see him with crucifix in hand, approaching the bonfire where Nell’s demon baby had just been throw into. The 2-member documentary film crew is also killed: Iris (Iris Bahr) is chopped up by a cult member with an axe, and?Daniel (Adam Grimes) has his throat slit or is decapitated by Nell’s brother, Caleb (Caleb Landry Jones), who is part of the cult.

The Hot List | Film: Authority, From God to Dad

The first and only time I saw “The Tree of Life,” Terrence Malick’s solemn contemplation of God, family and creation, the mostly older audience at the Lincoln Plaza Cinemas remained as silent and motionless as a church congregation rapt in prayer. I quickly adjusted to the reverential mood of a film whose monumental images of erupting volcanoes and churning seas, as many have observed, recall Stanley Kubrick’s “2001: A Space Odyssey.”

From left, Jessica Chastain, Tye Sheridan, Laramie Eppler, Hunter McCracken and Brad Pitt as the O'Brien family in 1950s Texas in Terrence Malick's film “The Tree of Life.”

But Kubrick’s biting wit, exemplified by his often sarcastic use of classical music in “2001,” is replaced in Mr. Malick’s film by a tone of unalloyed awe. Excerpts from Mahler, Gorecki, Berlioz, Smetana, Respighi, Bach, Brahms, Ligeti and other composers, along with original music by Alexandre Desplat, interwoven with imagery, transport us to the gates of heaven.

From that single viewing, the most powerful theme I grasped was the film’s punishing view of humankind’s patriarchal inheritance. “The Tree of Life’s” psychological core is its portrait of the O’Briens, an archetypal American family living in Waco, Tex., in the 1950s. Its strict father (Brad Pitt), a civil engineer and aspiring inventor with a wife and three boys, rules the roost with an authoritarian hand. His love for them is inseparable from a moralistic rage that erupts at his children’s breaches of discipline and at their mother’s coddling. Scenes in church connect Mr. Pitt’s character to a fearsome, unpredictable Old Testament God — the God of Job — dispensing arbitrary judgment.

The anguish endured by the O’Briens is focused on the seemingly meaningless death of one son and the rebellion of another (played by Hunter McCracken), whose unhappy grown-up self (Sean Penn) is too briefly glimpsed. The film’s biggest lapse is its unconvincing imagining of a resolution to all human conflict in an afterlife on a beach. But its central vision of an inviolable patriarchal hierarchy, descending from a stern male God to Mr. O’Brien, who endeavors to carry out his idea of God’s will on his tormented children, is the movie’s emotional heart.

After a single viewing, I couldn’t determine Mr. Malick’s attitude toward religious faith. Maybe a second immersion in this great but humorless and hugely flawed film will reveal the answer; then again, maybe not. Maybe there is no answer. Maybe that’s the point.

2011年8月3日 星期三

By: No Impact Week: Focus on Food & Energy | The Big Scout Project

Author Colin Beavan, in research for his next book, began the No Impact Project in November 2006.? A newly self-proclaimed environmentalist who could no longer avoid pointing the finger at himself, Colin leaves behind his liberal complacency and vows to make as little environmental impact as possible for one year.? No more automated transportation, no more electricity, no more non-local food, no more material consumption…no problem.? That is, until his espresso-guzzling, retail-worshipping wife, Michelle, and their two year-old daughter are dragged into the fray.? What began as one man’s environmental experiment quickly becomes an experiment in how much one woman is willing to sacrifice for her husband’s dreams.? Laura Gabbert and Justin Schein’s film provides both a front-row seat into the experiment that became a national fascination and media sensation, and a behind-the-scenes look at the marital challenges that result from Colin and Michelle’s radical lifestyle change. Click here for more information about the movie.


View the original article here

THE AMERICAN

THE AMERICAN

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NOTE: This spoiler was written and submitted by Spectre.

George Clooney's character uses two names; Jack his real name and Edward his cover name. To avoid confusion I will refer to him as Jack.

The film opens in the snowy Swedish countryside. In a cabin in the woods?Jack (George Clooney) is sharing his bed with Ingrid his girlfriend.? Though distant with her, it is clear he loves her.? Getting dressed to take a walk in the snow,?Jack notices footprints on the ground and becomes paranoid. His suspicion are true, when he spots a sniper in the distance with a rifle trained at them.? Jack pulls out his own gun and kills the assassin.? Ingrid is shocked and confused, and?Jack orders to go back to the cabin and call the police. When she turns her back to him, he shoots her apparently for knowing too much.?Jack gets the drop on the second assassin and takes a ferry to leave. Though he shows little emotion,?he is clearly?shaken over killing a woman that was not only innocent but loved him.

Jack arrives in Rome and contacts his handler Pavel. Pavel meets him and asked if Ingrid sold him out. Jack denies it, saying she knew nothing. Pavel tells him to lay low until he can figure out why the Swedes came after him. He gives him a car, a cell phone, and a small town to hole up in. Jack goes but sees the people are particularly nosy at his arrival and he needs anonymity. Jack travels to a nearby town and dumps the cell phone Pavel gave him.

Setting up shop in the town, Jack surveys the surroundings and tries to stay anonymous. However, a local priest Father Benedetto (Paolo Bonacelli), takes a liking to him and coerces him into having drinks and conversation.

A few days later, Jack contacts Pavel. Pavel is mad about Jack changing his safe house and dumping the cell phone. Still, Pavel talks to Jack about a weapons design job. Jack says he'll think about it.

Jack winds up meeting his contact Mathilde (Thekla Reuten) and they discuss her necessary weapon.? Jack thinks she has a second man with her, but he disappears before he can pointed out to Mathilde; she insures she came alone.

Jack picks up the materials for the post office and begins to assemble the rifle. The same night he meets up with a local prostitute Clara (Violante Placido).

Over dinner with Father Benedetto, Benedetto implies that he knows Jack isn't who he says he is. Benedetto also speaks of a young car mechanic Fabio?that he is fond of (later revealed to his son).

Jack creates some damages to his car to justify a visit to?Fabio's garage and asks for some tools. Jack takes them to create a suppressor for the rifle. He tests it out, and seems to be satisfied.

In between all this, Jack is still keeping his guard up, concerned that the Swedes are still after him. He begins to spend more time with Clara who he doesn't see as a prostitute and she doesn't consider him a client.

Jack meets with Mathilde so she can test out the rifle. She is satisfied though asks for some tweaks and special bullets.

Jack goes out one night and realizes he is being followed.? He manages to kill the assassin, and calls Pavel to ask why they knew he was here.? Pavel says Jack is getting soft.

Jack's relationship with Clara continues to deepen, even though he knows he cannot really stay. However, when Clara suggests they run away, Jack changes his mind. He calls Pavel one last time, telling him he'll do the drop for the rifle and then he's out. Pavel agrees to let him go. Pavel calls Mathilde and gives her special instructions.

Jack meets Mathilde for the drop and is nervous that he is being set up. However, he gets his final payment and leaves. Pavel calls Mathilde and asks why Jack isn't dead; Mathilde responds there wasn't an opportunity.? It is here we realize that Pavel was the one who set the Swedes after Jack; he felt he was getting too comfy in a regular life with Ingrid and decided to terminate a liability.?

Jack meets Clara at a religious festival.? Pavel is in the town as well?to make sure Jack dies.?Nearby, Mathilde has killed a woman and climbed onto the roof of her house to get ashot at Jack.? She fires the rifle, but it misfires, causing it to blow back on her.? Jack had deduced after the third Swede assassin?that Pavel had something to do with it and wanted to insure he wasn't next. Jack approaches a dying Mathilde and asks who she works for. She responds "Same man." before dying.? Jack gives Clara the money for the job and tells her he will meet her at the spot he took her to.

Jack runs off with Pavel not too far behind.? Jack realizes someone is behind him and turns to fire. Pavel gets a shot off but Jack fires twice, hitting Pavel in the head.?

Jack drives off to meet with Clara, only to realize he has been shot by Pavel. He slams his fist against the wheel; he realizes he won't make it.

Jack gets to the spot and raises his bloody to Clara who realizes something is wrong. Just as he arrives he slumps over the wheel, dead, blaring the horn. Clara runs to the car horrified.? The last shot pans away from the car to a shot of the tree skyline and a?small white butterfly.

2011年8月2日 星期二

External RF Modulator: Make Your Old TV Come Alive With It

So you are all set to enter the virtual world of tremendous excitement with your newly bought game machine. Right? But what if your old television does not support S-Video or RCA input; all it has is only a coaxial cable input at the back? How then will you connect your game machine to your television?

You need an external RF modulator for the purpose. What's an external RF modulator? Well, it is a device to convert the multiple audio and video outputs of the latest media machines - DVD players, gaming devices - to a single coaxial input to be used by a television that has no multiple input jacks.

RF, or Radio Frequency, modulators are available in the range of 10 to 40 dollars. They have either multiple inputs with switching ability or single inputs for one-to-one connectivity. So now there is a hope for your old television. New toys after all can be connected to it.

An RF modulator does make it possible for the latest equipment to run on your old television. However, the demodulation of the television by the external RF modulator results in poor picture quality. In fact, with the growing popularity of high-def, digital televisions, RF modulators are losing their utility and becoming obsolete. But then, who recommended an RF modulator for such a television? They come into picture only when you have an old television.

A multi channel external RF modulator can also be used with DVD players. Apart from allowing your DVD player to work on your television, it also enables you to run a VCR and such other devices as DVR, or Apple TV simultaneously, on the same television. All the devices use different frequencies or channels and the outputs are fed into the audio/video inputs of the modulator. Whenever you tune your television to the channel to which you have set your DVD player, it will access only the DVD. And whatever the device you are tuned in broadcasts, appears on your television screen. When you are using a CATV system, certain frequencies have to be blocked by the notch filters and the high and low passes. Otherwise, the device in use on the proper channel will not be able to provide a clear signal.

An audio RF modulator is also available on the market. They find frequent use in cars having FM radios and CD players. Here too the sound quality is not very good and many a time frequency consistency may be disturbed.

Although with the latest audio and video systems, external RF modulator is losing relevance, yet it still has a use with our DVD players. So, bring one and hook up to your television to enjoy your favorite movies.

ArtsBeat: Seeking Your Harry Potter Photos

ArtsBeat is a Web site devoted to culture news and reviews, and to the work and interests of the reporters and critics of The Times’s culture department and the Book Review. Come here for breaking stories about the arts, coverage of live events, interviews with leading cultural figures, critical reviews, multimedia extravaganzas and much more.

We welcome your input: Send your feedback and tips to artsbeat@nytimes.com and learn more about our commenting policy here. Follow us: Twitter | RSS

2011年8月1日 星期一

The Dark Knight Film Review

The 2008 action drama The Dark Knight is distributed by Warner Bros. Some of its stars include Christian Bale as Batman/Bruce Wayne, Michael Caine as Alfred Pennyworth, Heath Ledger as The Joker, Gary Oldman as James Gordon, and Maggie Gyllenhaal as Rachel Dawes. The writers are Jonathan Nolan (The Prestige), Christopher Nolan (Batman Begins), David S. Goyer (The Unborn), and Bob Kane (Batman). The director is Christopher Nolan.

The film opens roughly a year after the events of Batman Begins. The Joker and his men rob a bank in the first scene. New District Attorney Harvey Dent joins Lieutenant Gordon and Batman to help destroy the mob. During a mob boss meeting, a Chinese mafia accountant named Lau informs them that the stolen money has been hidden and he has fled to Hong Kong. The Joker interrupts the meeting and tells the mob bosses that Batman will go after Lau and he will offer to kill him if he receives half the shares. They refuse and place a bounty on the Joker's head. Batman does go after Lau in Hong Kong and brings him back to Gotham City.

He agrees to testify against the mob bosses, freeing up Dent to arrest and charge them. Because of these recent events, the Joker threatens to kill people until Batman reveals his true identity. The first deaths are Commissioner Loeb and the judge presiding over the mob boss trial. A later attempt to assassinate the mayor is foiled and Lieutenant Gordon appears to be killed. In order to prevent further loss of life, Bruce Wayne plans to reveal himself until Harvey Dent says he's Batman to keep the truth secure. While being transported across the city, the DA is captured by the Joker's men. In the process, the Joker himself is arrested.

He reveals to Batman that Dent and Rachel Dawes, Bruce Wayne's love interest, have been placed in separate buildings at opposite ends of town, each surrounded with explosives. The Caped Crusader goes after who he thinks will be Rachel while Gordon, who had faked his own death to lure the Joker, goes after Dent. Batman arrives and discovers that Harvey Dent is the one held captive there while Gordon fails in his attempt to save Rachel. In the explosion, Dent is badly burned on half his face and is distraught over her death.

When I first heard about this film, I was thrilled because the Joker is my favorite Batman villain. But, as I found out later, there is very little of the Joker's main attributes displayed in the film. Things like the Joker's venom don't make any appearance. With the exception of a couple of tricks, which includes the Joker card, none of this psychotic's well-known characteristics are ever shown. In effect, any sort of criminal could have been the main antagonist in The Dark Knight; it didn't have to be the Joker. The Joker appears to be more of a terrorist in this film than one of Batman's freakish enemies.

When I discovered what they were going to call the film, The Dark Knight, I initially believed that it was just referring to Batman and his black suit, but I was wrong. The title of the film was referring to a Dark Knight opposing a White Night. A Dark Knight is someone who will stop the bad guy at any cost, legal or not. A White Knight, on the other hand, will attempt to stop him by legal means. A line early in the story gives it away, "Either you die a hero or you live long enough to see yourself as the villain."

Ironically, both Batman and Harvey Dent prove this to be true. At the start of the film, the people of Gotham are still unsure of what Batman really is, hero or villain. He did save the city from Ra's al Gaul in the previous movie but, in this one, he appears willing to capture the bad guy at any costs, even if it means invading other people's privacy or viciously beating up a man during interrogation in order to have the information he needs. The new district attorney follows a similar path. He starts out as this bold prosecutor going after every bad guy in Gotham, no matter how bad they are. Later on after his fiance Rachel is killed by the Joker, he becomes more of a vigilante. Dent goes around killing everybody that he believes was responsible for her demise.

To wrap, The Dark Knight is actually a pretty good film, but lacks most of the joking aspect of a Batman movie featuring the Joker.

Written by Kevin Dillehay
http://www.moviefilmreview.com/author/Kmonk10

Kevin T. Dillehay has written nearly a hundred movie reviews from all genres. He provides a unique perspective on the movies you see all the time but may not stop and think about in depth. You are invited to check out his work at http://www.moviefilmreview.com/author/kmonk10.

Movie Review | 'The Chameleon': A ‘Who Is It?’ More Than a Whodunit

As if resurrected from the dead, a boy claiming to be Nicholas announced himself in Europe. An impostor who was actually 23, he traveled to the United States, where, despite his French accent and change of eye color, he convinced the family of his false identity. He claimed to have been kidnapped, taken to Europe, where he was tortured, raped and forced to work in a child prostitution ring. The ordeal left him so traumatized, he said, that his memories were blurred.

The movie — adapted from Christophe D’Antonio’s authorized biography of Mr. Bourdin, who is now living in western France and is married with children — changes the location of his American escapade from San Antonio to Baton Rouge, La., and Mr. Bourdin’s name to Frederic Fortin. Fortin’s pseudonym in the film is Nicholas Mark Randall.

Marc-Andre Grondin, the 27-year-old Canadian actor who portrays Fortin, won acclaim playing a teenage misfit growing up in 1960s and ’70s Montreal in the Canadian film “C.R.A.Z.Y.” That brilliant, French-language movie never found a United States distributor despite being showered with Genie awards (the Canadian equivalent of the Oscars).

In “The Chameleon” Mr. Grondin works hard to fill out a character the screenplay doesn’t examine in enough depth to bring fully to life. But at least Mr. Grondin’s disturbingly creepy performance offers no pat explanations, and it doesn’t plead for our sympathy. His mysterious character is shown researching Nicholas’s identity on the Internet and shaving his body hair to appear younger. There are brief, scattered flashbacks to his French childhood.

Intriguing as it is, “The Chameleon” might have been a much stronger film had it been narrated by its central character and included a lot more of his personal history. His life, before and after his Texas adventure, seems ripe for a sprawling mini-series like “Carlos.” Or if not that, a picaresque serious comedy like “Catch Me if You Can.” In any case, “The Chameleon” feels too small for its subject.

From the beginning there is little question that Nicholas is an impostor. But why? The movie barely touches on that question except for its unsatisfying, sentimental conclusion that his con artistry was an appeal for love. If so, the emotional deprivation driving that search is not explored. We see the impostor’s trickery but not the pain driving it. Nicholas uses every manipulative ploy in the book to confound his supposed family and the law. Resisting interrogation, he throws tantrums, collapses in feigned fits of post-traumatic agony, and falls into long silences.

Another wrong decision of this film, the English-language directorial debut of Jean-Paul Salome (“Arsene Lupin”) from a screenplay he wrote with Natalie Carter, is its framing of the story as a police procedural. It is told from perspective of Jennifer Johnson (Famke Janssen), the tough, fictional F.B.I. agent investigating Nicholas’s disappearance. Jennifer, well played by Ms. Janssen, badgers the impostor and his “family” for information as she tries to get to the bottom of what she suspects is the real Nicholas’s unsolved murder.

His relatives are a miserable lot. The most stable, his older sister Kathy (Emilie de Ravin), who works in a nail salon, embraces Nicholas with a ferocious protectiveness. His violent half brother Brendan (Nick Stahl), a sneering, hard-drinking bully with a cocaine problem, treats him with contempt while not actually contradicting his claims; he may know something about the real Nicholas’s disappearance that he is keeping to himself.

The mother, Kimberly (Ellen Barkin), a drunken, chain-smoking wreck who sometimes shoots heroin, shrinks from the fake Nicholas’s touch and can barely bring herself to look at him. “Just in case you haven’t forgotten, there wasn’t exactly sunshine between you and me,” she snarls. “You made my life hell.” Ms. Barkin is almost unrecognizable as this bedraggled bundle of rage and disappointment. Exploding from deep within, her devastating performance hijacks the film.

“The Chameleon” is rated R (Under 17 requires accompanying parent or adult guardian). It has violence and profanity.

THE CHAMELEON

Opens on Friday in Manhattan.

Directed by Jean-Paul Salome; written by Mr. Salome and Natalie Carter, based on the book by Christophe D’Antonio; director of photography, Pascal Ridao; edited by Marie-Pierre Renaud; music by Jeff Cardoni; production design by Martina Buckley; costumes by Susanna Puisto; produced by Cooper Richey, Bill Perkins, Ram Bergman, Marie-Castille Mention-Schaar and Pierre Kubel; released by LLeju Productions. At the Quad Cinema, 34 West 13th Street, Greenwich Village. Running time: 1 hour 33 minutes.

WITH: Marc-Andre Grondin (Frederic Fortin/Nicholas Mark Randall), Famke Janssen (Jennifer Johnson), Ellen Barkin (Kimberly Miller), Emilie de Ravin (Kathy Jansen), Tory Kittles (Dan Price), Brian Geraghty (Brian Jansen), Nick Chinlund (Mitch) and Nick Stahl (Brendan Kerrigan).

2011年7月31日 星期日

'Transformers' Stays on Top, 'Bosses' Fires 'Zookeeper'

by Ray Subers
July 10, 2011
Transformers: Dark of the Moon held on to first place in its second weekend, and actually showed some improvement over the last Transformers installment. Among openers, Horrible Bosses extended the winning streak for R-rated comedies this Summer, while Zookeeper wound up in third on middling results. Overall box office was off around 19 percent from the same period last year, when Despicable Me debuted to a huge $56.4 million.

Transformers fell 52 percent to $47.1 million. That was a lighter decline and a higher second weekend gross than those for Transformers: Revenge of the Fallen, indicating that Dark of the Moon is maintaining interest at a higher rate than its often maligned predecessor (though, to be fair, Transformers 2's second Saturday was muted by the Fourth of July). On Sunday, Dark of the Moon passed The Hangover Part II to become 2011's top-grossing movie, and its 12-day total currently sits at a healthy $261.1 million.

Horrible Bosses opened to $28.3 million, which was up from Bridesmaids but a bit off from Bad Teacher among Summer 2011's original R-rated comedies. It's also the top-grossing opening ever for a dark/black comedy, beating out The Stepford Wives remake. In a single weekend, it bested its cast members' Summer 2010 projects Going the Distance (Jason Sudeikis and Charlie Day) and The Switch (Jason Bateman and Jennifer Aniston).

Horrible Bosses had a lot going for it heading in to the weekend. Distributor Warner Bros. executed a strong, omnipresent marketing effort, clearly explaining the movie'a premise that pitted three lesser-known leads (Bateman, Sudeikis, Day) against three movie stars (Kevin Spacey, Colin Farrell, Aniston), with Farrell and Aniston notably playing against type. Plenty of laughs were mixed in with the well-articulated story, and they were presented in a character-oriented way so as to suggest there was more to come in the full-length movie. To top it all off, the trailer and many commercials were cleverly set to Cage the Elephant's "Ain't No Rest For the Wicked," which lined up well with the movie's upbeat tempo but dark themes. Horrible Bosses' audience skewed slightly male (51 percent), while 64 percent were over the age of 25 years old, according to Warner Bros.

Zookeeper launched to $20.1 million. That was an improvement over Kevin James' last movie, The Dilemma, but way down from the rest of his oeuvre, most notably Paul Blart: Mall Cop ($31.8 million). It also had a leg up on last summer's talking animal movies, Marmaduke and Cats & Dogs: The Revenge of Kitty Galore, but in general it's not an impressive start within the popular subgenre.

While Horrible Bosses felt fresh, Zookeeper reeked of formula. It was transparently conceived as a mash-up of hugely successful movies like Night at the Museum, Doctor Dolittle and Hitch, which could have worked out had the marketing been more compelling. Unfortunately, ads focused almost entirely on the flat relationship between James' titular character and a Nick Nolte-voiced gorilla, while opting to mostly avoid any sort of story. What's particularly odd about this is that, despite Adam Sandler and Kevin James's solid track record together, there was virtually no attempt to highlight the movie's Sandler-voiced monkey.

Zookeeper was greenlit immediately after the overwhelming success of Paul Blart: Mall Cop gave the impression that Mr. James could open a movie on his own. At the time, the movie sounded like a home run but unfortunately the original distributor MGM ran in to a mess of financial issues and the movie ended up being delayed a full year from its original release date in July 2010. In that time, Mr. James' star may have cooled a little, and family audiences have almost certainly grown less interested in the talking animal subgenre. Zookeeper could still pick up steam: Yogi Bear, for example, opened to just $16.4 million in December before ultimately closing north of $100 million, though that was a Christmas movie and was the exception, not the rule. Distributor Sony Pictures' research showed that 52 percent of Zookeeper's audience was parents and their children, and that 53 percent was female.

Cars 2 stabilized a bit, dipping 42 percent to $15.2 million. That was a steeper decline than the first Cars had at the same point, and, as of Friday, Cars 2 began lagging behind its predecessor in total gross. The animated sequel has so far made $148.8 million and is the least-attended Pixar movie at this point in its run.

Bad Teacher was surprisingly unfazed by Horrible Bosses debut, easing 39 percent to $8.9 million. Through its third weekend, the Cameron Diaz comedy has earned $78.7 million.

Larry Crowne and Monte Carlo did little to save face in their second weekends. Larry Crowne fell 55 percent to $5.9 million for a weak $26.2 million total, and it will be the lowest-grossing Tom Hanks movie since at least The Ladykillers in 2004. It did manage to eclipse Hanks' last directorial effort from 1996, That Thing You Do!, though it's unlikely to match that movie's attendance figures. Monte Carlo held a bit better than Larry Crowne: the Selena Gomez vehicle dipped 44 percent to $3.8 million for a total of $16.1 million.

Rounding out the Top 12, Midnight in Paris declined 26 percent to $2.6 million. With a total of $38.6 million, it's now a lock to pass Hannah and Her Sisters ($40.1 million) to become director Woody Allen's highest-grossing movie ever. Still, it will never reach Annie Hall, Manhattan, Hannah and a few other older Allen movies in attendance.

Discuss the Weekend Report on Facebook, Twitter, and in Box Office Mojo's forums.

Related Stories:
? Forecast: Comedy Counter-Programming Can't Cancel Out 'Transformers'
? Around-the-World Roundup: 'Transformers' Dominates Again

Last Weekend:
? 'Transformers' Claims Independence Gross Record

This Timeframe in Past Years:
? 2010 - 'Despicable Me' Dominates, 'Predators' Solid But Unspectacular
? 2009 - 'Bruno' Not as Brawny as 'Borat'
? 2008 - 'Hellboy II' Sizzles
? 2007 - 'Harry Potter' Flies with the 'Phoenix'
? 2006 - 'Pirates' Raids Record Books
? 2005 - 'Fantastic Four' Heats Up the Summer Box Office

Related Charts:

? Weekend Box Office Results
? Showdown: 'Horrible Bosses' Vs. 'Bad Teacher' Vs. 'Bridesmaids'
? Showdown: 'Transformers' Vs. 'Transformers'
? Showdown: 'Cars 2' Vs. 'Cars' Vs. 'Toy Story 3'
? Showdown: 'Green Lantern' Vs. 'Thor' Vs. 'X-Men'

'Harry Potter' Already Breaking Records... >

by Brandon Gray
July 13, 2011
It's not even out yet, but Harry Potter and the Deathly Hallows Part 2 is already breaking records. Distributor Warner Bros. Pictures announced today that the Harry Potter finale has conjured over $32 million in advance ticket sales, setting a new pre-opening benchmark. Regal Entertainment Group alone claimed over $10 million for the 535 locations it operates, whlie MovieTickets.com has already sold more Deathly Hallows Part 2 tickets than for any other 2011 release, marking a 38 percent increase over Part 1.

In a bid to give fans ample opportunity to see the long-awaited finale this weekend (and to potentially break the opening weekend record), Warner Bros. will unleash Harry Potter and the Deathly Hallows Part 2 on over 11,000 screens at 4,375 locations, setting new records for both the franchise and the studio.

Predecessor Harry Potter and the Deathly Hallows Part 1 had around 9,400 screens at 4,125 locations, debuting to a franchise-high $125 million, while Warner Bros. stable mate The Dark Knight had a little over 9,000 screens at 4,366 locations and shattered the opening weekend record with $158.4 million on the same mid-July timeframe in 2008. Pirates of the Caribbean: At World's End likely still holds the all-time screen count record (11,500), while The Twilight Saga: Eclipse maintains the location count record (4,468).

Included in Harry Potter and the Deathly Hallows Part 2's release is a record 3,000-plus 3D location count, topping Transformers: Dark of the Moon's 2,789 record. Deathly Hallows Part 2 also boasts the IMAX release record, chalking up 274 IMAX locations.

For its midnight launch, Harry Potter and the Deathly Hallows Part 2 will show at over 3,800 locations. Deathly Hallows Part 1 played at around 3,700 locations for its midnight debut, which generated $24 million. Eclipse currently holds the midnight record with $30 million at over 4,000 locations.

In Box Office Mojo's "when will you see it" reader polling, Harry Potter and the Deathly Hallows Part 2 is pulling a whopping 68.2 percent for "opening weekend" so far, surpassing its predecessor's 64.1 percent score. The Dark Knight had nearly 77 percent when it released.

Discuss 'Harry Potter' on Facebook, Twitter, and in Box Office Mojo's forums.

Previous 'Harry Potter' Weekend Reports:
? 'Deathly Hallows Part 1' Marks Liveliest 'Potter' Debut Yet
? 'Half-Blood Prince:' Harry Potter' Has Hot-Blooded Premiere
? 'Order of the Phoenix:' Harry Potter' Flies with the 'Phoenix'
? 'Goblet of Cash:' Harry Potter's 'Goblet' Runneth Over with Cash
? 'Prisoner of Azkaban:' Hotter 'Potter' in Summer
? 'Chamber of Secrets:' 'Harry Potter' Potent in Second Movie Debut

Related Charts:
? 'Harry Potter' Franchise
? All-Time Widest Releases
? All-Time Opening Weekends

Visited Bedford Falls Lately?

Michael Henninger for The New York TimesA life-size statue of James Stewart in the Jimmy Stewart Museum in Indiana, Pa. More Photos ?

IF the Jimmy Stewart Museum didn’t already exist, it might be the perfect place to invent for a sequel to “It’s a Wonderful Life.”

The museum is housed in a modest brown-brick, four-story public library building just down the street from the county courthouse in Indiana, Pa., a town of 15,000 about 60 miles northeast of Pittsburgh that could easily serve as the location for this century’s version of Bedford Falls. Inside, a quiet and low-lighted third floor is given over to an equally low-key yet substantial exhibition of hundreds of James Stewart’s artifacts and mementos, including his diploma from a nearby prep school and a favorite booth from Chasen’s, his later Hollywood haunt.

But there’s a back story: Like the Bailey Brothers Building & Loan Association in “Wonderful Life,” this homegrown institution is facing insolvency and recently needed the generosity of Stewart’s many admirers. “We were close to closure last year,” said the museum’s executive director, Timothy Harley. “Luckily, media coverage generated interest and an amount of donations that is modest but enough to remain open. But those funds will be depleted in a couple of years, and it’s hard to think that many of those who helped will step forward to save us again. They were of an older generation.”

Scattered around the country in nearly a dozen small towns are places like the Jimmy Stewart Museum. The Beech Grove, Ind., public library has built a collection of the native Steve McQueen’s films and biographies. Winterset, Iowa, has preserved the birthplace of John Wayne. Grand Rapids, Minn., has established a Judy Garland Museum in the childhood home of the girl then known as Frances Gumm. There is a range of curatorial sophistication and collection quality, but what all these places have in common is local pride in the glitzy fame achieved by a native son or daughter, the hope for some tourist dollars in otherwise out-of-the-way places, and often a beginning based on the obsessive collecting of memorabilia by a devoted fan. And they all count on something uncertain: a tireless fascination with big movie stars that continues decades after their last films.

“These museums are a relatively new phenomenon,” said Mr. Harley, who has run the Stewart Museum for 6 of its 15 years. “We don’t have a model to look at. Whether this type of presentation has a shelf life is too early to say.”

A little over a year ago Mr. Harley noticed that attendance was plummeting. “Each spring and fall we would have 10 or 15 bookings a month of 48-seat charter buses of lovely senior citizens,” he recalled. “Last fall that completely ended. Not gradually; it just stopped. This spring is the same. Clearly the people that Mr. Stewart called his partners have, at the very least, aged out of traveling, if not passed on.” At its low point recently attendance dipped to nearly half of the 10,000 annual visitors who came in the years after the museum opened in 1995.

A similar story is told by Nan Mattern, executive director of the Clark Gable Birthplace and Museum in the small former coal mining town of Cadiz, Ohio, about 90 miles southwest of Pittsburgh. In 1998, after years of fund-raising, a local group spent more than $150,000 to build a copy of the small two-story home on a quiet residential street where William Clark Gable, the boy who would become known as the King of Hollywood, was born in 1901. They have filled the place with some period furniture, memorabilia from Gable films (heavy on the “Gone With the Wind” tchotchkes) and a few of Gable’s personal items, like a boyhood sled, letters from Dwight Eisenhower and J. Edgar Hoover, and a canceled check for $6 that Gable once wrote to an exterminator.

The most expensive item in the collection, a 1954 Cadillac Coupe de Ville driven by Gable, is garaged in the basement of a separate house that has been turned into a Gable-theme bed-and-breakfast. There’s an “It Happened One Night” room (single beds with a curtain to pull between them) and a more lavish Gable and Lombard suite. (Gable’s marriage to the actress Carol Lombard was cut short by Lombard’s death in a place crash in 1942.)

“We call ourselves a birthplace,” said Ms. Mattern. “But we’re more of a living museum.” Living perhaps, but not exactly thriving. The museum is open six hours a day with varying frequency depending on the season and drew about 2,700 visitors over the last two years, an average of about 5 per day, and about half what it had been in some previous years. “We get buses sometimes,” she said. “But not as much as we’d like.”

2011年7月30日 星期六

Delhi Belly (2011) - Will It Be Aamir's Cross-Over Hit?

Aamir Khan has been associated with some of the biggest hits of Indian cinema in the recent years. These include some non-mainstream movies with cross-over appeal like 'Mumbai Diaries', 'Taare Zameen Par' and 'Peepli Live' as well as commercial movies like Lagaan that was nominated for an Oscar in the Best Foreign Film category. With Delhi Belly, Aamir Khan may have got a film that can charm audiences in India and rest of the world alike.

Gangsters, stash of diamonds, drugs, cops and 'innocent' (well, not really!) gang of friends caught in the midst has been tried many a times before. With the surprise 1998 'blockbuster' hit Lock, Stock and Two Smoking Barrels by the talented British director 'Guy Ritchie', the formula has been unleashed on the movie-goers by filmmakers around the world. Such efforts have come, entertained and vanished without a trace, with rare exceptions such as Guy Ritchie's follow-up hit Snatch in 2000.

The Indian mainstream movie industry ('Bollywood') itself has produced a string of immensely forgettable movies with similar plot-elements. Delhi Belly, on first impressions', makes it work. The movie stars Imran Khan as Tashi, Vir Das as Arup and and the Kunaal Roy Kapur as Nitin, the poor soul afflicted with the notorious 'traveler's curse; 'Delhi Belly'.

Produced by Aamir Khan productions with the proverbial 'midas touch', Delhi Belly is an all-out entertainer that is unabashed in it's approach. The pervasive toilet humor, sexual jokes and expletive count in the movie is likely to shock the 'common' people of India who have grown up with their song and dance formulas that are largely promoted as 'family movies'. Though the explicit content in the movie might fail to shock any of the western audiences who have seen teen comedies like the American Pie series and Van Wilder, never has an Indian movie upended cultural expectations with such goofiness. The story revolves around three friends/flatmates, the journalist Tashi, the photo-journalist Nitin and the cartoonist Arup who are leading typical urban young lives with Tashi about to get married to his girl-friend Soniya (Shenaz Treasurywala).

All hell breaks loose as Soniya's favor of transferring a parcel for a fellow air-hostess turns into a nightmare for the three friends due to an innocent mix-up with a stool sample, leaving a gang of local smugglers extremely unhappy. But more than the amusingly chaotic plot line, it's the ensemble performances (I struggle to remember any weak acts) and the 'dirty/witty one liners' (Nitin on Tashi's new dowry car: "This is one ugly car. This is what you get when a donkey humps an auto rickshaw.") that does the magic.

The newcomer director Abhinav Deo's urban comedy caper has a natural cross-over potential and is likely to invite multiple viewings from it's targeted audience - the new-age 'Hinglish' speaking urban youth of India.

For more such detailed reviews with movie stills, and recommended viewings of great international films outside of Hollywood, please visit CINE INTERNATIONAL.
-Ravi Ganne

Special Effects Part 1, 1890's-1940's

Have you ever wondered how filmmakers create those incredible special effects that can turn an above average film into an academy award nominee? Well I have, so I did some digging and here's what I turned up. The origin of special effects (SFX) can be traced back to Swiss photographer Oscar Gustave Reijlander (1813-1875) who in 1856 edited sections of thirty-two different negatives to create a single image, this was an early example of trick still photography.

In 1895 director Alfred Clark created the first known motion picture special effect with the guillotine scene in the film Mary Queen Of Scots. This particular scene was created using a technique known as stop motion where just before Mary was beheaded the film was stopped and the actors all held their positions as a dummy, dressed like mary, was brought in and placed under the blade of the guillotine. The filming resumed the guillotine dropped and the audience was given a realistic sense of an execution, this film was also one of the first ones produced by Thomas Edison (1847-1931. )

Another pioneer in the field of special effects was the french magician Georges Melies (1861-1938) who in 1896 also came across the stop motion effect and would go on to create over 500 short films using this technique along with some other special effects that he discovered which included multiple exposures, time-lapse photography and dissolves. As the motion picture slowly started to evolve in the early 1900's so did special effects as was the case with the Fritz Lang 1927 silent masterpiece Metropolis In this film Lang incorporated a very creative illusional effect known as the Schufftan Process which used mirrors to "place" the actors in miniature sets.

In 1939 Mgm studios released the film The Wizard Of Oz which was based on the Lyman Frank Baum (1856-1919) book The Wonderful Wizard Of Oz, and with it came a new batch of cutting edge special effects. From flying monkeys to combining black and white film with color film to a nasty witch (Margaret Hamilton) who could fly on a broom and hurl balls of fire at a sweet and simple scarecrow (Ray Bolger), this film was packed with special effects.

To me the most impressive effect was the tornado scene where Dorothy (Judy Garland) gets swept up into a cyclone and is transported to the land of oz but creating a tornado on paper is one thing, creating it on a soundstage is entirely different! Special effects coordinator Arnold Gillespie was given this daunting assignment and here's how he did it. His original idea was to use a 35 foot tall rubber cone but that idea was scrapped after it was determined that the cone was to rigid, tornadoes have a natural back and forth and side to side motion and the rubber simply wouldn't flex enough to recreate that motion. His next idea was to use muslin, which is plain woven cloth, this type of material could be manipulated in any direction needed so Gillespie built a 35 foot long tapered muslin tower, to picture this mentally imagine a 35 foot wind sock.

The top was attached to a steel gantry, which was mobile and could travel the length of the set and the bottom disappeared into a slot in the stage floor. A steel rod came up through the base of the tornado and was moved in one direction while the gantry was moved in the opposite direction this gave the tornado a natural swaying motion. Then a material known as Fullers Earth, which is a brown powdery dust, was blown in to the base and top of the tornado by using compressed air, some of the dirt filtered through the muslin which helped to mask it. This effect recreated the dirt and other material that a tornado picks up as it moves across the ground, next came the sky. Thick dark clouds of smoke made from sulphur and carbon were blown onto the set from catwalk's over the stage, this gave the effect of the dark ominous sky's that are usually associated with severe weather. To top off all of this tornadic chaos two panels of glass, which had grey cotton balls pasted to them, were placed four to five feet in front of the cameras and were moved in opposite directions this added to the tornado's churning motion and also helped to hide the gantry and the top portion of the tornado. Throw in some wind machines and you have yourself a very convincing recreation of a tornado.

In 1940 a young special effects man named Larry Butler would use two invention that he created to forever change the field of special effects. The first was the Traveling Matte and the second was the Bluescreen, which is still widely used. The first film that these effects were showcased on was The Thief Of Bagdad (1940) which featured flying carpets, a 70 foot tall genie and a goddess with six arms, to name just a few. The traveling matte is a complex effect to work with because it requires a different matte for each frame of film unlike still photography where single mattes are used. The film must be manipulated various ways especially during its processing to create the illusion of a person being somewhere that they really aren't. An example of this effect would be someone who is clinging by their fingertips to the outside of a 1, 000 foot tall skyscraper.

You could use the actor or actress to do this but if something goes wrong you could wind up with a big mess on your hands! legally speaking that is plus actors are too valuable to risk on something like this. Another option would be to use a stuntperson and only use long camera shots but in this type of scene you would want to see the fear and tension on the actors face so we can toss this option off to the side along with the first, the next option is the traveling matte and bluescreen. First you would film the skyscraper, this is called the background plate then you would film the actor dangling from a wall similar to the skyscraper which is done in the studio against a bluescreen, in reality the actor is only a few feet off the ground. You would then manipulate and combine those pieces of film during its processing and like magic you wind up with is a very realistic scene of a person tangleing from the side of a skyscraper. Larry Butler won the first of his two oscar's in 1940 for the special effects he created using these two inventions in The Thief Of Bagdad, not bad for a man who dropped out of Burbank High School in California to learn special effects from his father who was also in that profession.

In part two we'll look at some special effects used in films from the 1950's through the 1970's.